Thinking, thinking, always thinking;
ideas, memories, smells and colours;
Sifting, parsing, sometimes recombining.
To select your soundtrack for this I delved into my music collection to find something suitable and came up with Angels & Airwaves. It's not happy (I mean, it's Tom de Longe after all, and by the time they recorded their third album he was so badly messed up on opioids he barely knew what day it was), but I've always found them light (as in full of). Three songs, because you said you read these three times, which suits me nicely because this is me and I've always found both balance and completeness in three.
Heaven
Valkyrie Missile
The Flight of Apollo
I'm declaring this at the start because I have no idea how, or what, or where this is going. I'm taking you with me on a ride. We may go round in circles, or nowhere, or crash and burn, but you're finding out in real-time, same way I am, and only when I'm done do you have my permission to cry.
Now strap in and let's do this.
---
My email yesterday was bashed out sitting in Haig Park, killing a couple of hours before my friend Marcia was free. A stretch of dead time filling the nothingness in my schedule between when I needed to leave one place, before I had any reason to be at another.
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I've just had to move to follow the shade, by the way.
I've been coming here for almost as long as I've had autonomy; on days like this in my teens I used to ride my bike to the river (10ish-km), then follow it along the far side from here another 10-15km before turning around and heading back. Later in high school my best friend lived a couple of streets away and we'd come down at night to feel transgressive. Later we'd steal some beers from his dad (or play on how I looked older than I was and go to the bottlo) and do the "rebellious teen drinking" thing. When I moved back in 2010 I'd strap my roller blades on a bit east of here, skate a couple of km's west into the wind and back again. Here I've had picnics, watched the Australia Day fireworks, and brought tourists to look at the city lights. When I was still with Jenna, Kat and I would hang around the picnic tables, chain-smoke and talk about everything and nothing. It's been the setting for both first and last kisses, and many of those in between. It's pretty, and peaceful, and alive. It felt like a perfect place for this purpose.
Welcome, glad you've come,
To my favorite place in Perth.
I hope you like it.
There's a group of girls (young ladies?) playing kick-to-kick off to my left; joggers chasing after fitness dodging families taking a stroll; dogs being taken for walks and Smelling All The Things(!); whilst I sit here with my laptop and A&A in my ears, apart from them all, but in the wide-angle panoramic shot it looks like I'm a part of it.
I used to use Mt Ainslie in the same way:
Above, but amongst.
A quiet perch to watch from.
Apart, but a part.
Where I am, where I'm going, and where I want to be, are rarely the same location. That feeling of satisfaction, comfort, contentment, seems so incomprehensible. That sense of being the right person, in the right place, at the right time, eternally elusive and just out of reach. Watching this perpetual parade of peaceful people, I wonder if their perceptions are parallel, whether they ponder as they pass their places in this performance? I don't know, and somehow I suspect that if I were to ask them neither of us would understand. If we spent a lifetime trying, we'd never grok each other; the terms of reference in our language are too far out of phase.
There's a beautiful paragraph in Stranger in a Strange Land where Heinlein explains the word "grok":
"Grok means 'to understand', of course, but Dr. Mahmoud, who might be termed the leading Terran expert on Martians, explains that it also means, 'to drink', and 'a hundred other English words, words which we think of as antithetical concepts. It means 'fear', it means 'love', it means 'hate' - proper hate, for by the Martian 'map' you cannot hate anything unless you grok it, understand it so thoroughly that you merge with it and it merges with you - then you can hate it. By hating yourself. But this implies that you love it, too, and cherish it and would not have it otherwise. Then you can hate - and (I think) Martian hate is an emotion so black that the nearest human equivalent could only be called mild distaste."
I don't need to describe to you what a curse it is to see everything, all at once, as it really is.
I won't even try expressing the indescribable gift that is to be seen, known, and accepted; not for what you were, what they want you to be, or might one day become; but for who, how, and what you are. To have someone say "I see you" and not try to guess who, or how, or what they perceive.
Nor will I make an attempt at the sense of explosive stillness, thunderous calm, or cacophonous peace from not having to wonder.
I do, however, find it rather pleasant.
Now, I think it's time to pack my laptop away again and slip into jinba ittai.
I've been coming here for almost as long as I've had autonomy; on days like this in my teens I used to ride my bike to the river (10ish-km), then follow it along the far side from here another 10-15km before turning around and heading back. Later in high school my best friend lived a couple of streets away and we'd come down at night to feel transgressive. Later we'd steal some beers from his dad (or play on how I looked older than I was and go to the bottlo) and do the "rebellious teen drinking" thing. When I moved back in 2010 I'd strap my roller blades on a bit east of here, skate a couple of km's west into the wind and back again. Here I've had picnics, watched the Australia Day fireworks, and brought tourists to look at the city lights. When I was still with Jenna, Kat and I would hang around the picnic tables, chain-smoke and talk about everything and nothing. It's been the setting for both first and last kisses, and many of those in between. It's pretty, and peaceful, and alive. It felt like a perfect place for this purpose.
Welcome, glad you've come,
To my favorite place in Perth.
I hope you like it.
There's a group of girls (young ladies?) playing kick-to-kick off to my left; joggers chasing after fitness dodging families taking a stroll; dogs being taken for walks and Smelling All The Things(!); whilst I sit here with my laptop and A&A in my ears, apart from them all, but in the wide-angle panoramic shot it looks like I'm a part of it.
I used to use Mt Ainslie in the same way:
Above, but amongst.
A quiet perch to watch from.
Apart, but a part.
Where I am, where I'm going, and where I want to be, are rarely the same location. That feeling of satisfaction, comfort, contentment, seems so incomprehensible. That sense of being the right person, in the right place, at the right time, eternally elusive and just out of reach. Watching this perpetual parade of peaceful people, I wonder if their perceptions are parallel, whether they ponder as they pass their places in this performance? I don't know, and somehow I suspect that if I were to ask them neither of us would understand. If we spent a lifetime trying, we'd never grok each other; the terms of reference in our language are too far out of phase.
There's a beautiful paragraph in Stranger in a Strange Land where Heinlein explains the word "grok":
"Grok means 'to understand', of course, but Dr. Mahmoud, who might be termed the leading Terran expert on Martians, explains that it also means, 'to drink', and 'a hundred other English words, words which we think of as antithetical concepts. It means 'fear', it means 'love', it means 'hate' - proper hate, for by the Martian 'map' you cannot hate anything unless you grok it, understand it so thoroughly that you merge with it and it merges with you - then you can hate it. By hating yourself. But this implies that you love it, too, and cherish it and would not have it otherwise. Then you can hate - and (I think) Martian hate is an emotion so black that the nearest human equivalent could only be called mild distaste."
I don't need to describe to you what a curse it is to see everything, all at once, as it really is.
I won't even try expressing the indescribable gift that is to be seen, known, and accepted; not for what you were, what they want you to be, or might one day become; but for who, how, and what you are. To have someone say "I see you" and not try to guess who, or how, or what they perceive.
Nor will I make an attempt at the sense of explosive stillness, thunderous calm, or cacophonous peace from not having to wonder.
I do, however, find it rather pleasant.
Now, I think it's time to pack my laptop away again and slip into jinba ittai.
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Regards,
Peter.
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