Musical accompaniment: Twenty One Pilots - Ride
The gusting wind is making the 'busa rock against my outrigger-leg as we wait patiently for the lights to change, less like the rocking of a dinghy afloat a rolling swell than having very large man nodding along to a slow reggae groove whilst leaning against our right-hand fairing. The light changing from red to green sets in motion a choreographed set of movements with twenty one years of practice behind them; my right hand starts to squeeze just as the tension in our left starts to release, the outrigger pushes off, retracts, and stows itself away securely, then knees press into the tank to push our butt back to the rear-edge of the seat. Ready for take-off, there's a moment when we're sitting perfectly still on a pair of contact-patches no larger than a pair of outstretched palms, balanced on little more than intent, a prayer-given-wings, and the confidence that by the time physics stops being distracted by our sleight-of-hand acceleration and angular momentum will have kicked in.
Two seconds later we're travelling at a speed that will see us a kilometre down the road a minute from now, my helmet is tucked behind the screen, and the buffeting is gone; with a drag coefficient resting half-way between a Porsche 911 Carrera and an Airbus A330, and a displacement an order of magnitude smaller than either, the 'busa doesn't cut through the wind like a hot knife through butter so much as slip past with a series of polite "excuse I", "don't mind me", and "thank you ever so kindly"s the rest of the way up Northbourne Ave. Leaning on the edge of the knife-edge of rubber on the left edge of the tyres we carve a line along the grippy tarmac between the slippery white lines of the pedestrian crossing onto Barton Hwy, straighten up again, turn our tail to the wind, and present it our posterior.
Extroverting my introspection has provided me with a peculiar perspective over the past few weeks; just like someone standing in the Emergency Stopping Lane on Barton Hwy might have seen a horse-and-rider glide past in a blur of poetic motion and dopplering exhaust, had they launched a drone and set it to keep pace to starboard that same horse and his boy would have looked utterly motionless whilst the world slid past in a blur. Look at the footage closely tho, and you'll see that my feet are resting on the pegs whereas it's the wheels that are spinning. The 'busa is doing all the work; I'm just along for the ride.
Another day, another dichotomy.
The "Terminal Semicolon" series started as a random accident I precipitated, crossed with a random thought I had, influenced by a random episode of Red Dwarf I'd made Bridget watch so she'd get the reference I make to a joke I heard once but no one seems to remember any more. By the end I'd spent 8400 words of which only 10 were "fuck", laid two and thirty years of my historic self-hood bare, and catharted like a motherfucker. I didn't set out to pick up all the threads I'd left hanging from writing about "where I was" and weave them together to explain "what I was going through all that time" when I jotted down some notes one night about an accident caused by peripheral neuropathy borne of chronic illness any more than had I instead folded them into a thousand cranes and woken the next day to find out that the tornado created when they flapped their wings had flung an under-educated girl in an indigo-checked dress, and the house she lived in, from mid-west America on a Technicolor(TM) adventure, crushing Elon Musk to death in the process.
Either way, when it was done I looked at the result and muttered "Oh Fuuuuuuuuuuuuck..." under my breath because I'd taken the last two years of chaos and turned them into something beautiful. I started the recently-ended phase of my life by saying "resurrection [...] is never gentle, let alone kind. You have to die before you can be reborn after all", and I keep saying that sometimes you need to destroy what's in the way so you can rebuild something better. "If you want a thing done well," Napoleon is credited as having said, "do it yourself."
Especially when the only thing standing in your way is your self.
I put more effort into creating It's not you (I'm giving up on), it's me... than I have into anything I've ever written; the Sandra biopic, the speech I wrote for her wedding, and Sunset & Twilight: Art made with Lasers & Maths are the only things which have come close, but all of those were ultimately for other people; this one I wrote to share, so you could see and (I hope) understand, but I didn't write it for you. I wanted to cook something of myself up, create and make-real something delightful out of a very harrowing time of my life which you could swallow, and digest, and take away with you, so that later when I'm pouring you a digestif with one hand and offering a bowl of antacids with the other, I can look you in the eye and know that you're seeing me.
Or not.
Maybe you'll just get reflux, make your excuses, and leave before dessert.
Maybe you'll not show up in the first place, and I'll find myself dining alone with the void filling the chair you were supposed to be sitting in.
(In the interest of civility, I think I'll call her "Jeremy"; that seems a cromulent name for a complete lack of substance.)
Maybe I'll get to enjoy the whole bottle of armagnac to myself (Jeremy said I could have hers; she has to drive), and eat leftovers for the rest of the week.
Either way, I'm going to help myself to seconds.
Backing track: Incubus - Drive
I've been trying to reconcile the ridiculous number of things I seem to do in my day with the absolute lack of anything I seem to get done; after a while the expenses keep piling up and there's only so much you can sneak into your "Consulting Fees" and "Meeting Expenses" accounts before your accountant starts asking pointy questions because "Blackhearts & Sparrows" appears to be a bottle shop. I guess this is what you get for engaging an accountant who's good at her job, has a finely-tuned nose for bullshit, and shared a house with you back in your late-20's, but I digress. I feel like those pitiful plebs I keep seeing through the window of the gym on Lonsdale St running on treadmills when I'm walking to-and-from the local Coles with another backpack-full of the pre-packaged chemical energy I feed my failing meatsack to ensure it fails a little more slowly. I keep telling myself "at least when I put one foot in front of the other I'm a step further forward than I was before, so I'm better-off than those cunts," but it's a lie and I know it. If anything, they're more honest about it because whilst we're both going nowhere fast, at least they're not pretending; our pursuits might be equally pointless, but how much more authentic does it get than merging mouth with money, and paying for the privilege of proving it?
I do know one thing they don't tho, because I know that what both of us are doing is futile, and the whole thing is fucking absurd.
OK, that's two things, but who's counting?
In the beginning, a less-hirsuite-than-average ape somewhere in what we now call Africa who'd never heard of pants looked up in wonder at the glorious firmament of the heavens above, and thought "What the fuck?"
Some time later, another ape who'd realised that pants were a pretty solid concept looked outside themselves and thought "Why the fuck?"
By the time pants were considered prosaic, a German ape with a Niet mousta-zsche looked down at the world around them and thought "What's the fucking point?"
A hundred years later moustaches were out of vogue, pants had been around so long they'd started getting shorter, and a French ape who was born in Africa stood between another bunch of apes with a ball and the net they were trying to kick it into in a pair of shorts, looked inwards and Camus'd to the realisation that "... there isn't one. How fucking funny is that?"
I used to identify as a Nihilist because in the cold, hard light of maths, there always seemed to be a divide-by-zero; it makes no difference no matter what you do. Everyone who won, and everyone who tried, and everyone who failed, and everyone who didn't, all wind up dead. Nothing we do matters, and everything we were and everything we did turns to dust in the end, so what the actual fuck is the point? Regardless, I kept moving because doing something has always felt a whole lot better than doing nothing, and given the alternative I've had nothing better to do. After a while I realised I'd been missing the punchline that whole time, because I keep forgetting that I'm terrible at maths.
Our whole short lives we keep trying to square the circle that we know, no matter how sophisticated our calculated reasoning evolves, will always show up on the right-hand side of the ultimate equal-sign. We know, because we can prove it, but we keep trying because we need it to not be true, but that's because we've only been paying attention to the first half of the story.
"In the setup [...] you tell a story and there's an assumption made by the listener, and what they'll find is that rug will be whipped out from under them and the assumption they made was erroneous, suddenly revealing a fact that was previously concealed, and they realise they've made a mistake."
- Jimmy Carr
I find it all existentially hilarious that we know it's pointless, but we keep trying to find a way to say it ain't so. It's all so fucking ridiculous, but that's the actual point because life is also sublime;
It's all a fucking joke.
So when I walk past with a wry smile on my face, it's not because I'm judging the lycra-clad ape in the window because whist paying a bunch of money to run on the spot is ludicrous, ultimately the only thing dividing us is a pane of glass and logically, if:
I:\> $you = 0
I:\> $me = 0
I:\> $you -eq $me
True
I, riding the superposition of these perspectives, have been doing my best not to look to windward because the gusts are coming from behind me, the hurdles I might trip over are in front, and I'm trying to get my feet back where they belong between my face and the pavement.
Besides, Phlebas is dead, and beyond caring.
